What is the curtain call song for dear evan hanson
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The spring cabaret had three songs from “Spamalot,” a Broadway musical that draws from movies and sketches made famous by the iconic British comedy troupe Monty Python. “All of that music you listen to when you’re lying in bed at night by yourself and dreaming of the day you’ll get to sing it is the music we perform in this group.” “So many times, I will hear a song and think, ‘That would be just perfect for so-and-so!’ I try to choose carefully to get just the right number for the right student.” “Loretta and I try to think about songs that will match each student’s vocal quality and personality, and we put it all together,” Ballard said. Others are selected by Wittman and Ballard.
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… All of that music you listen to when you’re lying in bed at night by yourself and dreaming of the day you’ll get to sing it is the music we perform in this group.” “However, our directors sought a group that would allow us to just do that. “When you’re in a collegiate theatre program, there aren’t many opportunities to sing songs from contemporary musicals,” she said. “In other words, if we wanted ‘Dear Evan Hansen’ or ‘Hamilton,’ they’re not available for licensing, but it’s important for our students to have contact with and work with that material,” Wittman said.Īddy Weaver ’20, who had a solo during the “Moulin Rouge” set, agreed. Wittman said one reason she and Ballard started Curtain Call two years ago was to give students the opportunity to perform songs from popular musicals that colleges and universities are not yet able to license. In addition to “Coffee in a Cardboard Cup,” the lineup included songs from several popular Broadway musicals and movies, including “Spamalot,” “Reefer Madness,” “Les Miserables,” “Newsies,” “Chicago,” “Moulin Rouge,” and “The Greatest Showman.” Two days later, the curtain went up for opening night of “Behind the Curtain.” Throughout the academic year, the group had performed on and off campus as ambassadors for the Theatre Department, but this was their capstone show - time to put it all together and show off. With the technical problems under control and the drummer’s appearance, Wittman says, “OK, here we go!” Photo by John McCormick Act I Otwell crosses the stage as it plays and gives a thumbs up. Miller, her asymmetrical hair dyed pink, responds with a techno track. “Someone sing something,” Wittman tells the group, prompting a cacophony of near-wailing and feedback. Theatre professor Christopher Otwell asks sound designer Cedar Miller ’21 to play something over the speakers.
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Wittman, who later compared opening night to childbirth, said it’s been “hectic.” At the moment, the drummer is AWOL, the singers are milling about on stage, and Ballard, at the keyboard, says she can’t hear anything from the on-stage monitor. “You’ll be hired by Starbucks!”Ī couple of nights later it’s dress rehearsal for the show’s two-night run. “You’re specialists!” Wittman shouts over the ruckus. Someone shouts, “Matt,” meaning Matt Penalva ’21, “seems to be confused!”Īll in all, however, it’s going pretty well. Sophomore Elizabeth Martin’s shoe is untied, the lace flopping precariously under the sneaker of the person to her right. When everyone has a cup in hand, Dana Ballard, Curtain Call’s musical director, starts playing the song on her keyboard. “Starbucks has to be out to the front, since they gave them to us,” she says of the green-and-white cups, after which someone yells in mock accusation, “Product placement!” Loretta Wittman, Curtain Call’s director and choreographer, hands out the cups and instructions. The choreography for the frenetic number involves three circles of students, who, with their backs facing center, move in a counter-clockwise direction while passing paper Starbucks cups in the opposite direction. It’s a Tuesday evening in March and Curtain Call, the University of Lynchburg’s musical theatre ensemble, is rehearsing the opening number of its upcoming spring cabaret, “Behind the Curtain.” The song, “Coffee in a Cardboard Cup” from the Broadway musical “70, Girls, 70,” is about how all the world’s woes can be traced back to take-out coffee.